Tag: Music

The World Needs More Christine McVies

Christine McVie, 1943-2022

It was the spring of 1998. Stevie Nicks had rejoined the powerhouse rock group Fleetwood Mac, and together the band recorded a live album (The Dance), performed a concert for PBS, and went on tour. Arenas sold out across the nation, and a band who had broken up, reunited, performed with only a partial cast, and was nearly 20 years past their prime suddenly were relevant again.

Make no mistake about it, had it not been for Stevie Nicks rejoining the band, those arenas would have never sold out, The Dance would have never happened, and Fleetwood Mac would never have re-emerged.

However, without Christine McVie, Fleetwood Mac would have never happened in the first place. They would have remained some obscure blues band lost on the streets of London in the 1970s.

During The Dance tour, the spotlight was on Nicks. However, on the left side of the stage, behind the keyboard, was the driving force behind the band’s success. McVie not only wrote many of their hits (Say You Love Me, Don’t Stop, You Make Loving Fun, Hold Me, Little Lies, and Save Me, among others), her vocals and keyboards were part of the sound that distinguished Fleetwood Mac from other groups.

Stevie Nicks and Lindsey Buckingham were both in the spotlight, but either one of them could leave (and they did), and the band could go on (and it did). You could place anybody at base guitar, and no one would miss John McVie. And while Mick Fleetwood’s personality behind the drum kit was very noticeable, truth is you could place any professional drummer there and keep the sound of Fleetwood Mac.

However, remove Christine’s lyrical prose, harmonious voice holding the sound together, and soothing keyboard notes, and you’ve lost Fleetwood Mac altogether.

What makes Christine McVie so great, and unique, in the music industry was her ability to blend into a background role, and to cherish that role. In an interview with Sirius XM, she once stated “I never saw myself as a solo artist.” She understood her role in Fleetwood Mac, how it was key to their success, and she relished it.

One of the hallmarks of the music industry of the late 70s and early 80s were the artists who would leave successful supergroups in order to strike out on their own, and put their own name and image out there. Nicks did it. Buckingham did it. Belinda Carlile (The Go-Gos) did it, as did Ozzy Osbourne. But for McVie, she was content to keep the supergroup together and going. In fact, her forays into a solo career only came with the absence of Fleetwood Mac.

And that’s why I think the world needs more Christine McVie’s. We need more people who are happy to work together to build wonderful things while doing great things, for the good of others as opposed to pursuing the endless goal of self-glorification. We need more people who see the importance of their role and fill it, as opposed to begrudging the fact they don’t have the spotlight. That’s what we call “humility.”

And we need more people stepping up to make real contributions to society. Yes, the world needs more Christine McVies.

Obey God and do as you please

Pete_Seeger2_-_6-16-07_Photo_by_Anthony_Pepitone
Photo by Anthony Pepitone

Pete Seeger is probably the most influential man whose name you probably have never heard. A social activist of the 1960s, he wrote songs promoting environmentalism, civil rights, the counterculture, and songs opposing the Vietnam War.

He popularized the song, “We Shall Overcome,” which became the anthem for the Civil Rights Movement, and his song “Turn, Turn, Turn (To Everything There is a Season)” became a major hit for the Byrds, and a musical standard for the 1960s.

The song, “Turn, Turn, Turn,” was taken almost verbatim from Ecclesiastes 3 in the King James Bible. The song itself was used as an anthem to call for an end to the Vietnam War, with the final line stating, “a time for peace, I swear it’s not too late.” Those who listen to the song can find themselves transported to a peaceful state of mind, relaxing and just enjoying the moment.

The irony of “Turn, Turn, Turn” is that Seeger rejected the Bible as scripture. He did not believe the Bible is God’s word, and he thought much of the book was a collection of folk tales and poetry. In an interview with Paul Zollo, which later appeared in the book, Songwriters on Songwriting, Seeger discussed his views on the Bible:

I don’t read the Bible that often. I leaf through it occasionally and I’m amazed by the foolishness at times and the wisdom at other times. I call it the greatest book of folklore ever given. Not that there isn’t a lot of wisdom in it. You can trace the history of people poetically.

Ironically, Seeger’s biggest hit came by setting music to the wisdom of Solomon in Ecclesiastes 3. The idea came after Seeger’s publisher complained that he was unable to sell the protest songs which he was writing. Seeger, a social activist at heart, put the music to the scripture, hoping that the publisher would hear a Top-40 hit, and that the listeners would hear a call for peace.

Further irony is that a song that became an anthem for peace in the 1960s also proclaimed there was a time for war, a time to kill, a time to hate, and a time to cast away stones. Also, there was a time for peace, a time to heal, a time to love and a time to gather stones together.

The opening lines say it all, “To every thing there is a season, and a time for every purpose under heaven.”

Seeger rejected the Bible as God’s word, and as such rejected the one who could put more power into those lyrics than David Crosby or Roger McGuinn ever could.

Ecclesiastes is a popular book among atheists and agnostics because of its seemingly humanistic approach to life. In many places, the book claims that life is empty, and none of man’s works will last for eternity. Therefore, one should simply enjoy the simple pleasures of life and the fruit of his labor. That approach to Ecclesiastes is extremely dangerous, because it plays right into the error that the writer was warning against.

Taken in its context, words of wisdom from a King who wanted his people to live with the enlightenment of the Lord’s wisdom, Ecclesiastes teaches that life outside of God’s presence is empty. It’s pointless. It is temporary and the struggles of life are futile.

The lesson in all this is that God is in control, and there is nothing we can do to add to, or to take away from, the plan that He is working on this Earth. Therefore, we should be content to live with the blessings God has given us, to learn the purpose of the seasons of life we endure, and to obey and reverence God.

Furthermore, we should eat and drink, and enjoy the good of all our labor, for it is the gift of God (Ecclesiastes 3:13). While we do that, we should give thanksgiving to God for that gift.

Or as one theologian put it, “Obey God and do as you please.”

Had Seeger understood this concept, he would not only have seen that the wars, conflicts, and times of peace and prosperity served God’s purpose, but he still would have been free to pursue his social agenda of equal rights and preserving God’s creation. Instead, he will be mildly remembered as the man behind a happy little ditty from the 1960s.

God created you with a purpose. Ephesians 2:10 says that we are created in Christ Jesus unto good works which God before ordained that we should walk in them. In giving us that purpose, he gave us passion for that purpose and the talent to pursue it. Do not separate your spiritual/church life from your daily life. The whole of your persona was built in when God formed you in the womb.

The day a generation died

Tom_Petty_2016_-_Jun_20I don’t normally get emotional when news of celebrity deaths hits the airwaves. On my radio show, I often find myself putting together tributes to musical greats, movie legends and iconic performers whose time on this earth has come to an end. I do so with the understanding that time passes on, people age, the circle of life turns, and everyone faces that time when they “cross over Jordan.”

So, when Mary Tyler Moore died, I didn’t get emotional, even though I had watched every episode of Dick Van Dyke and the Mary Tyler Moore Show. When Glen Frey passed away, I put together an Eagles tribute for KXYL, but I didn’t shed a tear.

This is life. This is our ultimate destiny. It’s one we should be prepared for, Spiritually, mentally and financially.

However, when news broke Monday that Tom Petty had been found in full cardiac arrest, I knew what was coming next. There was no doubt in my mind that his time on this earth had come to a close.

For some reason, this time, I was emotional. I was overcome with sadness. I felt as though something special had been lost. The worst part is, I couldn’t explain my own emotion.

Explaining emotions is impossible, because emotions by nature are illogical. Still, it took days to explore this emotion so I could understand why I was so upset about the passing of Tom Petty, but not other performers.

So, I went home and pulled up the video of Tom Petty and the Heartbreakers “Take the Highway Live” tour on YouTube.

As I sat watching Tom perform his classic hits that carried me through late childhood and adolescence, it dawned on me. Tom Petty was the icon of my generation.

He’s never been called this before. He has never been labeled as the voice of Generation X, the lost generation between the Baby Boomers and the Millennials that no one cares about. Seriously. For 40 years, marketers tried to figure out how to reach the Baby Boomers due to their numbers, before skipping over Gen-X,Y, Z,Whatever to reach the over-hyped Millennial generation, a generation defined by youth and whatever label commentators want to attach to the bearded kid in the coffee shop. I digress.

While Petty himself was a boomer, his songs played a key role in the upbringing of Gen-X. His own daughter posted online that she grew up to his songs, that everyone grew up to his songs. I did as well. From “Refugee” to “Mary Jane’s Last Dance,” Petty’s music emanated from the speakers of my radio, and radios around me from childhood to young adult-hood.

His videos were creative and iconic, earning him the 1994 MTV Michael Jackson Music Video Vanguard award. He was one of the reasons my generation sat glued to MTV before it was overrun by episodes of “The Real World.”

Petty toured right up until his death. He continually worked on new projects and cranked out new music.

But we never considered him the voice of our generation, even though his music spoke directly into our life’s experiences.

“Refugee” taught us that life goes on even after we’ve been burned, that we don’t have to languish in the pain our past experiences have caused us.

“Won’t Back Down” tapped into our defiant attitudes. “King’s Highway” tapped into our desire to hit the open road and go “Running Down a Dream.”

“Learning to Fly” keyed into our struggle to overcome the daily rat race, and “Last Dance with Mary Jane” identified with our experiences of lost love.

Think of a moment in your life, and there’s probably a Tom Petty tune to match the occasion. And that’s why his passing hits us hard.

You see, we Gen-X’ers, the last generation to grow up before cell phones, smart phones, internet and social media, remember a simpler time. A time where concerts were safe venues to enjoy music and let your problems go for a while.

We remember a time when TV was funny, entertaining, and wasn’t trying to change our view of culture. We remember calling the local radio station to place our requests, Saturday nights at the skating rink, and the ability to leave home without having your day-off interrupted by cell phone calls from work.

We remember a time when we felt safe, long before 9/11 and mass shootings put us on edge. We remember when music was fresh, innovative and artistic. We remember music on MTV, and wasting hours staring at the screen as music videos from all genres aired.

Cruising. Road trips. Spring break at the beach before Girls Gone Wild turned it into a freak show. Bubble tape, Ecto-cooler, Crystal Pepsi, the Arch Deluxe, and the Isuzu Amigo.

We remember going to college to prepare for a fulfilling career.

Some of these experiences are still a staple of American life. Some aren’t. But no one can honestly say life today is as simple as it was, say, in 1993 when Tom Petty had his last major hit on commercial radio. And that’s why we’re sad.

The simple life of yesteryear no longer exists, and will never return. Tom Petty’s death reminds us that life changes, and the things we hold dear often fade into the backs of our collective memory.

Or, as Tom put it, “The good ole days may not return, and the rocks might melt, and the sea may burn.”

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There is good news, however. The fact that the good ole days may not return does not mean that there aren’t better days ahead. Tom’s music was optimistic, so we too should be optimistic.

Photo credit: David W. Baker