Tag: Movies

The Jesus Revolution

The more things change, the more they stay the same. Seriously, listen to any Billy Graham sermon from the 1970s, or any J. Vernon McGee sermon from the 1960s, and you will find the same issues being addressed from the pulpit.

The breakdown of the family, the rise in sin and immorality, an up and coming generation that seems unreachable, with a lifestyle and value system that seems incomprehensible, a deeply divided country, civil unrest, economic uncertainty, and foreign threats… these are all issues that plagued our country back then, and they are issues that haunt us now.

The upcoming film, Jesus Revolution, depicts how the ministries of Chuck Smith and Greg Laurie were revolutionized by the introduction of Lonnie Frisbee. Smith is depicted as struggling to establish Calvary Chapel in California as a Biblical-centered congregation, who struggles to understand the hippie movement of the 1960s. Smith then meets Frisbee, who encourages him to engage the marginalized youth and preach the Gospel to them.

History records what followed as The Jesus Movement, recorded by Greg Laurie in his book Jesus Revolution. There was a revival among the Hippie communities of California, which sparked a new wave of evangelism and worship music. The result was countless converts, the rise of Calvary Chapel as we know it today, and contemporary Christian worship music.

Jesus Revolution is a film based on a true story, it is not a documentary. How the film will tackle the controversies surrounding Smith’s ministry, Calvary Chapel, and Frisbee’s issues with sin have yet to be seen. All are worthy of discussion as we come to a fuller understanding of God’s grace and redemption.

However, the theme of the movie appears to be how the Gospel of Jesus Christ is exactly what our dark and deeply divided nation needs to hear, and if we are willing to reach out to those whom we fear or don’t understand with the Gospel, souls will be saved and lives will be changed.

In essence, if the church of God will re-center itself on the Gospel and return to the mission of God, which is the preaching of that Gospel throughout the world, who knows what kind of revival we may see in our day.

Like our forerunners in the 1960s, we face a rise in sin and immorality, a rise in Godlessness, a rise in darkness and division, with an up and coming generation with a lifestyle and values system that scares the very generation that brought us the hippie movement.

Our options are simple. We can, like Kelsey Grammer’s depiction of Chuck Smith early in the film, sit back on our couches and complain about the direction of society. Or, we can, like Jonathan Roumie’s depiction of Lonnie Frisbee, reach out into that darkness with the light of the Gospel and show a lost generation that God’s door is open to those who repent and believe.

My prayer is that we do the latter, which is why I am excited about this film. I hope it inspires our current generation of churches, and a new generation of churches to truly commit to, and do, the Great Commission.

Scars, stars, bazaar: The Greatest Showman rocks our imaginations

Forget everything you know about P.T. Barnum. The Connecticut-born son of a tailor who so coveted high society that he swindled and cheated his way into mass fortune died 126 years ago. All that remains of him is the name of a circus.

The P.T. Barnum depicted in “The Greatest Showman” is a fictitious character, an energetic, benevolent man whose blind ambition led him to make occasional mistakes in his relationships.

Portrayed by Hugh Jackman, P.T. Barnum whisks his love, Charity, away by imploring her to use her imagination, adding that the world is what they make of it. A running theme throughout the musical is how they can change their stars, and create their own world, being limited only by their own imaginations. His love, dreams and enthusiasm lights the hearts of his wife and daughters, and inspires his followers, a rag-tag group of misfits including the bearded lady, the world’s smallest man, a theatre director and even a world-renown opera singer.

The movie maintains a happy tone, even when the characters deal with very difficult situations, ranging from rejection, personal pain, and hopelessness. The darkest of times are quickly abandoned for the next adventure, and the next song.

The ongoing theme of “The Greatest Showman” is that of acceptance. P.T. Barnum struggled to gain the acceptance of high society, while his cast of odd characters struggled to accept themselves, and struggled to gain acceptance of mainstream society.

Having gone from pauper to prince with the financial success of Barnum’s Circus, Barnum enlisted the help of a popular theatre director to “win the high brows.” This resulted in an audience with the queen of England, which connected Barnum to the famous opera singer Jenny Lind, with whom Barnum strikes up a partnership for a North American tour.

Regardless of all that happened, Barnum never really gains the acceptance of high society. He is then reminded of the true value of the friends he has, and learns to quit living to impress people that he doesn’t really like in the first place.

The cast of odd-characters struggle throughout the movie. Rejected not only by their own mothers, many had trouble accepting themselves. Throughout the course of the movie, they learn to accept themselves, and to see their oddity as a gift. They also find comfort in each other.

I came away from this movie inspired and happy. I was reminded to dream big, to be myself, and to love those around me. And for that reminder, I give the movie a thumbs up!

Not because it’s right, but because it’s trending

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Photo: Bob Beecher

I was on the phone with a publicist for a movie production taking place in Texas.

“This is big,” she said. “Oprah has reviewed our script, decided she likes it, so the film will be produced by The Weinstein Company.”

Back when this conversation took place, The Weinstein Company was nothing more than a “W” logo that flashed on the screen at the beginning of a movie trailer or at the end of the movie credits. I didn’t know who they were or what they did. I did know who Oprah was, and I thought it was really cool that she had taken on this particular project.

There’s a lot with which I disagree with Oprah. I think her daytime TV talk show is overly emotional. Her politics lean left, mine lean way right. I still haven’t forgiven her for thrusting Dr. Phil upon us. Then again, I can blame the Texas beef industry for that. Had they never sued her over her show on “Mad Cow” disease, she’d have never gone to court in Amarillo, and would have never met Dr. Phil.

On the other hand, I have to respect a woman who went from absolute poverty to the billionaire she is today. She accomplished her success through hard work, good decisions, and by creating a product that, even if I don’t like it, is adored by millions.

Still, her speech at the Golden Globes the other night went all over me. While I agree with the message she spoke, I wondered how she must have felt delivering the message.

I don’t think Oprah engaged in inappropriate behavior with Harvey Weinstein. She has too much dignity and class. I don’t think she knowingly helped him, or was complicit in any specific encounter he had. She has a moral compass.

Yet, everyone in Hollywood, Oprah included, knew what Harvey Weinstein was. Go back and look at the Seth McFarlane joke on YouTube. Read or watch the jokes about the entertainment industry, and how Hollywood execs, including Weinstein, behaved themselves. What was going on was common knowledge, and had even become the punchline of a twisted cultural joke.

So, when she stood on stage and proclaimed that a new day was coming when powerful men would no longer be able to prey on young ladies, I couldn’t help but think, “Why haven’t you said anything before now?”

As long as getting along with Harvey Weinstein was good business, Oprah did it. Now that Weinstein has been revealed to be the pervert that he is, good business dictates criticism of him and the entertainment industry that allowed him to thrive.

But that’s all it is. Good business. Oprah’s speech, and the “Time’s Up” pins worn to the Golden Globes amount to nothing more than a social media post designed to get page views because the right hashtag was used. And therein lies the problem.

Our culture has become one of “hashtag activism.” You don’t actually do anything, you just post about it, and people congratulate you on your compassion for being able to type 140-280 characters.

When you log onto Facebook, look in the right-hand margin. You’ll notice a few topics that Facebook says is trending. On Twitter, that list is to the left. Make any post, add a hashtag that aligns with the word or phrase that is trending, and presto! Page views, comments, likes and shares.

When Weinstein’s accusers came out, the #MeToo hashtag began to trend. When that happened, accusations came out against multiple Hollywood celebrities and executives. Justice for sexual harassment victims trended, which is why Hollywood added the #TimesUp pins, and Oprah gave her speech. They are merely following the social trend.

Next year, this will all be forgotten, and another social cause, environmental cause, or political cause will take its place. Hopefully, more will have been accomplished than a few elite personalities going viral on social media.

In the meantime, Oprah can bring about a lot of healing, to her industry and reputation, by apologizing for her associations with Weinstein and vowing to create an entertainment industry where young ladies will be able to sell their talents, not their bodies.

Why we love Star Wars

Star_Wars_The_Last_JediMovies succeed at the box office due to effective marketing campaigns. Movie franchises, like Star Wars, the Hunger Games, or Jurassic Park, thrive because they either (a) mirror our lives or (b) speak into our human nature on a deep level.

Jurassic Park thrives because, in addition to capturing our imaginations through the resurrection of the dinosaurs, it poses the question as to whether man has the ability to create life, species, and whether we can overcome the natural order set forth by our Creator. Spoiler alert: We fail every single time.

The Hunger Games succeeded because it captured man’s natural desire to be free, the fact that hope never completely dies, and the lengths to which man will fight to win his freedom. All of that was embodied in the main character, Katniss Everdeen, who struggled through poverty, oppression, imprisonment, torture, and PTSD to lead a rebellion against a powerful overlord who subjugated everyone. Most who watched that series could identify with Katniss on some level, which is why the series succeeded.

The success of both of those franchises, however, pales in comparison to the success of the Star Wars franchise, which has become the definitive movie franchise for three generations due to the fact that it speaks into virtually every aspect of our lives, from our family life, to our professional life, to our philosophical life. Star Wars touches on family drama and pain, captures the plight of characters who are trying to overcome their station in life, and poses the bigger questions of life, liberty and the pursuit of happiness.

On this level, Star Wars speaks to our entire persona. We are all trying to make our way in this world, battling the elements of opposition as we try to climb the corporate ladder, move into the next tax bracket, or obtain the next level of education. While we fight those battles, we deal with issues at home. We struggle to repair or maintain relationships with our parents, to make our marriages work, to give our kids positive direction, and to keep from losing touch with those closest to us.

This multi-generational family story is laid against a back-drop of intergalactic battles, space ships, and planetary conquests.

In an interview after he sold the franchise to Disney, George Lucas said, “Star Wars isn’t about space ships and aliens, it’s about family.”

Those who understand that statement will understand Star Wars that much better. The franchise follows the plight of a single family, the children of Anakin Skywalker and Padme Amidala, as they learn their family history and fight to keep the galaxy free. Skywalker was overcome with rage and a desire to rule the galaxy, so Amidala took her two twins and hid them in separate places with friends and family.

Their circumstantial reunification and new-found purpose became the first Star Wars Trilogy, Episodes 4-6. In order to explain that trilogy, Episodes 1-3 were later released (for better or worse) in the 1990s. Now, we’re working on the third trilogy, which will follow the plight of the third generation of Skywalkers.

You see the family drama at work when Darth Vader is reunited with his son, Luke Skywalker, as well as when Hans Solo and Leia pine for their wayward son, Kylo Ren. Rey is trying to solve the mystery of who her family is, and why they left her on a desert planet, and Finn is the orphaned former Stormtrooper who’s searching for belonging.

You see the quest for betterment as Hans Solo continues his career as a smuggler, as inn-keepers and bar owners struggle to stay in business, or when Rey seeks Jedi training.

And then there’s the forbidden love between Anakin and Padme. Those two had to defy all customs and protocol in order to be together.

The issues that these characters deal with are issues we can all relate to. We’ve had family struggles. We’ve experienced lost love. Our kids have turned on us. We struggle to overcome, and we often feel like we get caught up in world affairs beyond our control.

And that’s why we love Star Wars. We see a little bit of ourselves in those characters, and so we root for them. We rejoice with them, we cry with them, and we die (figuratively speaking) with them.

Right now, critics and fans are debating whether “The Last Jedi” lives up to the hype. If it turns my life into another sci-fi thriller, it most certainly will.