Charly’s attempt to engage culture

Over the past two decades, Christians and churches have sought to engage popular culture through music, movies and even through news media sites like The Stream.

Following the observation that movies bear more influence on American culture than the pulpit, the Kendrick Brothers and Sherwood Baptist Church in Albany, Ga., produced a series of movies that gave us box office hits like “Fireproof” and “Courageous.” The movies, flanked by correlating Bible study curriculum for churches and small-groups, were tools in reaching many.

These efforts have led to the conversion and discipleship of many nominal church goers and fence riders, however, cracking the shell of the culture at large presents a challenge. While individuals are being reached through these efforts, the public at large is not.

My proof? In 1986, Top Gun was a box office smash. Americans lined up around the corner to see Maverick pursue his quest of graduating at the top of his Top Gun class. The movie, which featured many action scenes featuring the F-14 Tomcats and F-15 Eagles, wooed many young men into joining the Navy under the auspices of becoming fighter pilots.

Recruiters, seeing the opportunity, set up recruiting booths outside movie theaters, signing young men who were excited about the opportunity to fly the F-15 into hostile air to intercept Russian Migs. A cultural phenomenon was born.

Historically, the only time a Christian movie has generatedĀ a large-scale response was following the release of Mel Gibson’s “The Passion of the Christ.” A heart-felt and detailed depiction of the Gospel is bound to elicit a reaction. No doubt about that. However, aside from the anecdotal stories of the criminal who confessed to a crime for which someone else was convicted, there was no shift in American culture. A large number of professed conversions came from that movie, but America’s culture still trended toward unGodliness.

If the purpose of Christian movies is to create conversions, or to call marginal Christians back to faith, then those movies are accomplishing the goal. However, if Christian movies are designed to sway the culture at large, we are missing the mark. And, until this week, I’ve wondered why.

Sunday night, my wife and I enjoyed some “date time,” where we sit down and watch a movie via Amazon Prime or Hulu. We found a romance movie called “Charly,” about a New York woman who visits family in Salt Lake City and meets a young Mormon, and the two fall in love. Charly convinces Sam, the young Mormon, to be more spontaneous. Sam leads Charly to convert to Mormonism.

The plot was good, the acting was good. The depictions of family and the importance thereof were good. What turned me off to the movie was when the film would unabashedly preach Mormonism. There’d be a Sunday School scene non-germane to the plot. The main character would try to preach it to his love interest. Those scenes disrupted the plot, and raised my antenna. I spent the rest of the movie looking for the Mormon innuendos.

Now, I mean no disrespect to my Mormon friends, but as a Baptist pastor, I have several, deep, theological differences with the Mormon religion. Having those differences brought to the forefront of my mind, I began to wonder if non-believers had the same reaction to Christian films as I was having to “Charly.”

Are Christian filmmakers hindering their influence on the culture by inserting outright Christian preaching into Christian movies? I don’t know, and I have no complaints.

However, as we produce Christian movies, let’s set our purpose before writing our script. Are we looking to influence society to adopt our values? Or are we looking for mass conversions. If mass conversions are the goal, then by all means, insert explicit Bible teachings. Do a movie about the Gospel, like “The Passion of the Christ.”

However, if the goal is to influence societal values, maybe embedding Christian values into the plot is a better way to go.

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